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Llangollen Eisteddfod Press Release


By Ceri Shaw, 2009-06-03

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PRESS RELEASE Tuesday 2 nd June 2009

Llangollen Festival celebrates National Volunteers Week:

June 1 st 7 th

Mervyn Cousins gives special thanks to 1000

Llangollen Volunteers

On June 5 th , approximately 1000 Llangollen International Musical Eisteddfod volunteers will receive recognition for their hard work in a special Thank you event organised by the festivals Executive Director, Mervyn Cousins to coincide with National Volunteers Week, which is this year celebrating its 25 th anniversary. During its 63-year existence, the Llangollen Festival has always been dependant on the generosity and hard work of volunteers, without which, the festival could not exist.

Llangollen Executive Director, Mervyn Cousins and Chairman, Phil Davies , have long been wishing to acknowledge the thousands of hours that the volunteers contribute so willingly every year. Mervyn Cousins said: The festival has a volunteer base which is second to none we have almost 1000 people who help in one way or the other, and they range from those who come to Llangollen for the week itself to those who help drive the festival forward through their membership of the various committees. Some are in the office most days all year-round. We frankly couldnt do it without them and we hope that this event will go some way to thanking them. It will also be a great opportunity to show our gratitude to the staff who go far beyond the call of duty.

Eisteddfod Chairman, Phil Davies , who is, in fact, a volunteer himself believes that volunteering is a way of life for the people of Llangollen and the festival is living proof that volunteering is an all-age activity with visitors often surprised and impressed by the numbers of young people and students who help during Eisteddfod Week in particular. And you dont necessarily need to live in and around Llangollen to be involved volunteers come from all parts of the UK each year to be part of the atmosphere and buzz on and around the Eisteddfod field with some even coming from abroad, further adding to the Festivals aims to promote understanding and cooperation between nations

It is the lifetime commitment of people such as Bob Attenburrow, who drew the very first Eisteddfod poster in 1947 (see image), and will be completing his 50 th year of service on the Board of the Eisteddfod this year, that ensures the success of the festival. Another invaluable member of the Llangollen volunteering family is Les Potts who volunteers on the tickets committee and has attended every Eisteddfod since it started in 1947, except for 2 that he missed while doing national service.

Ann Ankers , who has been a committed volunteer for almost 50 years, has compiled a book of short stories and witty tales of volunteer life in Llangollen over the years, entitled Miscellany Medley . (Available from the Eisteddfod Office and at the festival itself, priced 3). According to Ann: We all just get on with our various jobs. I always think of it as a huge jigsaw where we all have some pieces, some might have only 1 and others might have a 1000 but it isn't until they are all put together that this event works. So I think that we are all equally important.

The volunteers are this year launching a new range of merchandise that will coincide with the earlier raising of the flags of all the competing countries that adorn the bridge and Castle Street. The new range of merchandise will consist of sweatshirts, t-shirts and polo shirts all bearing the Eisteddfod logo. There will also be a range of 99p items for children. All items will be available to buy from the Eisteddfod shop or by mail order from the website ( www.llangollen2009.com )

Publicity Committee chairman, Ian Lebbon said "This new range is very attractive and also good value for money. I just hope that we have ordered enough supplies!"

-Ends-

Notes to Editor

Interviews available upon request.

Press and Media Enquiries

For further information please contact: Lydia Jones at Mr Producer

Tel: 02920 916 667

Email: llangollen@mrproducer.co.uk

Volunteers Week

For more information please visit www.volunteerswe ek.org.uk

General Llangollen International Musical Eisteddfod Information

For one week, in one town, over fifty countries gather for one of Wales most unique experiences. This July over 50 000 performers and festival goers from all over the world will visit Llangollen International Musical Eisteddfod in the picturesque Dee Valley, North Wales. This cool and cultural event, considered as 'Wales gift to the World' was established in 1947 to promote peace and goodwill between nations through music and dance. Still thriving today Llangollen Eisteddfod has become one of the worlds most colourful festivals. During each themed day the festival field is a hive of activity with main stage competitions, outside stage performances, workshops, and impromptu singing and dancing from every corner of the world, in national and regional costume. The evening Gala concerts over the years have attracted some of show-business biggest names such as Pavarotti, Michael Ball, Elaine Page, Domingo, Katherine Jenkins and Dame Shirley Bassey. This year is no exception with concerts by Barbara Dickson, Sir Willard White, Blake, Natasha Marsh, and even The Music of James Bond, with guest stars including Honor Blackman, aka Pussy Galore! What a cocktail...Prepare to be shaken and stirred! Join the rest of the world, join the party. For more information, telephone 01978 862001 or visit the website at http://www.llangollen2009.com/

This years Festival also sees the exciting addition a new Opening Gala concert to take place on Monday 6th July. The Opening Gala has a star line-up including young singing sensation Faryl Smith , BBC Ones Your Country Needs You finalist Mark Evans and the award-winning Fron Male Voice Choir . Also performing will be reigning Llangollen Male Choir champions Cr Godrer Aran, male-voice choir Cantorion Colin Jones and young tenor, Alexei Kalvecs. The concert will support Llangollens Competitor Bursary Appeal Fund which aims to offer financial support to competitor groups who travel from all over the world.

The spectacular Licensed to Thrill concert on Sunday 12th July will see the music of James Bond performed by the Orchestra of Welsh National Opera , conducted by Carl Davis and hosted by Bond Girl Honor Blackman a.k.a Pussy Galore. The audience will be treated to a glittering evening of fabulous orchestral sounds and favourite melodies including Goldfinger , You Only Live Twice , and the iconic Bond Theme. The concert will culminate in a spectacular firework display which will be the finale to the Festival. Llangollen International Musical Eisteddfod have also been promised Aston Martins for the night by Stratstone of Wimslow and Guest of Honour will be David Pender Richards - Chairman of Aston Martin.

Llangollen International Musical Eisteddfod: General Information

  • The International Eisteddfod provides a platform for people of all nations to meet and communicate through the international languages of music and dance, thereby promoting peace, harmony and a greater understanding of world culture.
  • The International Eisteddfods Patron is H.R.H. Prince Charles and Terry Waite CBE is the current President.
  • Established in 1947 by volunteers to promote peace and goodwill between nations through music and dance, Llangollen International Eisteddfod has become one of the worlds great festivals.
  • Its professional evening concerts and daily premier competitions are now combined with innovative field activities and outreach work.
  • Based in the beautiful Dee Valley in the county of Denbighshire, North Wales.
  • Many of the worlds greatest stars have sung at Llangollen with some beginning their careers on the North Wales stage.
  • The festival field is filled with colour and sound, with outside stage performances, workshops, and impromptu singing and dancing from every corner of the world.
  • 50 countries competed in the Eisteddfod last year.
  • Just fewer than 4000 competitors appeared on the Pavilion stage in 2008.

2009 Schedule

Monday 6 th July: Opening Gala - Faryl Smith, Mark Evans, Fron Male Voice Choir,

Cantorion Colin Jones, Cr Godrer Aran, Alexei Kalvecs

Tuesday 7 h July: Barbara Dickson Live at Llangollen

Wednesday 8 th July: Llangollen Peace Concert

Thursday 9 th July: Sir Willard White

Friday 10 th July: Blake and Natasha Marsh

Saturday 11 th July: Choir of the World

Sunday 12 th July: Licensed to Thrill - Carl Davies presents the music of James Bond,

hosted by Honor Blackman.

Tuesday: International Childrens Day

Wednesday: International Song and Dance Day

Thursday: International Youth Day

Friday: International Celtic and Folk Day

Saturday: International Family Day

Sunday (New): A programme of music and events on the Eisteddfod field and in the town of Llangollen

For tickets and/or further information call 01978 862001 or visit www.llangollen2009.com

Additional Info: Full Season Ticket holders can choose one of the best seats in the house to enjoy the Eisteddfod competitions and concerts from Wednesday through Saturday for just 125 - an amazing 23% discount. Plus, claim an exclusive discount on tickets for Tuesday evenings concert - purchase a 35 ticket for 30. Season Ticket holders also receive a free Eisteddfod Souvenir Programme.

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Seren Books - September Newsletter 2012


By Ceri Shaw, 2012-09-15

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Seren Books - September 2012

Nerys Williams wins the 2012 Eithne Strong Award for Best First Collection.

Congratulations to Seren poet Nerys Williams, who has won the Eithne Strong Award with her debut poetry collection Sound Archive . The award is presented annually for the best first collection of poems published by a poet in Ireland.

Nerys beat off competition from three other poets, which included another Seren talent, Eoghan Walls with his fantastic debut collection, The Salt Harvest .

Sound Archive was also shortlisted for two prizes last year, the Forward Prize for Best First Collection and The Michael Murphy Prize .

Prize winning poet Nerys Williams is originally from Wales but moved to Ireland in 2002, where she lectures in American Literature at University College, Dublin.

The Poetry Garden at Foyles, Southbank

On Saturday 15 th September, Rhian Edwards will be reading from her debut poetry collection, Clueless Dogs at The Inpress Poetry Garden Market, an end of summer extravaganza of contemporary poetry on the Foyles lawn outside one of London's most iconic arts venues, the Southbank Centre. Clueless Dogs is currently on the shortlisted for the Forward Prize for Best First Collection .

The Inpress Poetry Garden Market will have events running throughout the day, including readings by numerous poets, a poetry market to buy pamphlets, books, anthologies and special editions, and the announcement of the Indian Summer Poetry Competition winner. Click here for full details of this event.

The Poetry Garden is free to attend and you do not need to pre-book.

New Titles

Poet to Poet: Edward Thomass Letters to Walter de la Mare edited and introduced by Judy Kendall

This collection of letters from Edward Thomas to Walter de la Mare amounts to over three hundred, running from 1906 to 1917. Inspiring and poignant, few of these letters have been published before and they give a moving account of the growing trust between these two poets, including some fascinating biographical detail and insights into their composing practices, their close and changing friendship and of their influence on each other.

ISBN: 9781854115805 Paperback 14.99

Keidrych Rhys The Van Pool: Collected Poems edited and introduced by Charles Mundye

Keidrych Rhys was one of the most influential writers in Wales in the 40s and 50s who counted Dylan Thomas, Glyn Jones, Vernon Watkins, Emyr Humphreys, Alun Lewis, RS Thomas and many others among his circle of friends and literary acquaintances.This book brings together The Van Pool (Faber, 1942), Rhyss only poetry collection and a wide variety of uncollected and unpublished poetry and translations.

ISBN: 9781854115829 Paperback 12.99

Forthcoming Titles

Call Mother a Lonely Field by Liam Carson

A memoir of an Irish-speaking childhood in Belfast and a moving testament to growing up during the Troubles. Call Mother a Lonely Field mines the emotional archaeology of family, home and language, the authors attempts to break their tethers, and the refuge he finds within them. Carson confronts the complex relationship between a son thinking in English, a father dreaming in Irish and a mother who, after raising five children through Irish, is no longer comfortable speaking the language in the violent reality of 1970s Belfast.

"An immensely pleasurable book, and a valuable addition to the canon of Irish autobiography. - The Irish Times

ISBN: 9781854115881 Paperback 8.99

Sen Tyrone: A Symphony of Horrors by Mark Ryan

Published posthumously, this illustrated novel describes a young mans search for his absent father and the horrors he encounters on his journey. Sen OBrien left his wife and son in County Tyrone to find work as a collier in the South Wales Valleys. He last sent money and a letter from somewhere called Aberuffern (the mouth of hell in Welsh). What follows for his son Jack, is a series of macabre, mythical encounters with individuals who have come across the avaricious and merciless Sen.

ISBN: 9781854116475 Paperback: 8.99

On Becoming a Fish by Emily Hinshelwood

On Becoming a Fish was inspired by a series of walks around the 186 mile Pembrokeshire Coastal Path in West Wales, known for its spectacular views from cliffside paths skirting the Irish sea and the Bristol Channel. Deeply engaged with environmental issues through her work in community energy and climate change, the author is also a keen observer of human nature in the context of this beautiful coastline.

ISBN: 9781854115775 Paperback: 8.99

See How they Run by Lloyd Jones

New Stories from the Mabinogion

Small-minded, malicious academic Dr Llwyd McNamara has a grant to research one of Wales biggest heroes: rugby player big M. But as plays with his USB sticks in his little office, the gods have other plans for him. Prize-winning author Lloyd Jones tackles this retelling of the Third Branch of the Mabinogion: Manawyddan son of Llyr, with his usual ingenuity, imaginative intelligence and zest for language to create a skilful and hugely enjoyable tale.

ISBN: 9781854115904 Paperback: 8.99

Bird, Blood, Snow by Cynan Jones

New Stories from the Mabinogion

The original Peredur tale recounts the adventures of a youth bent on recognition as a knight in King Arthurs court. In true questing fashion, he defends maidens, defeats giants, and eventually overcomes the witches who have cursed him. Award-winning author Cynan Jones turns the tale into a modern Quixotian romp. Hoping to save him from the same fate as his father and brothers dead, jailed or missing Peredurs mother takes him from the sink estate. But the world wont be held at bay. When local kids cycle into his life, he follows.

ISBN: 9781854115898 Paperback 8.99

Beyond the Pampas: In Search of Patagonia by Imogen Rhia Herrad

Beyond the Pampas is an entrancing journey to the ends of the earth in search of an ideal. Its journey that takes off in unexpected directions, leading the author to a new perspective on her own life and those in the remote reaches of Patagonia. It traces the fortunes of the 19th century Welsh colony in Argentina, and tells the story of the indigenous peoples of that vast, inhospitable territory.

ISBN: 9781854115911 Paperback 9.99

Meet the Author

Friday 14th September, 2pm: Candy Neubert launches her Channel Island-set novel Big Low Tide at the Guernsey Literature Festival, Guille-Alls Library. She also has a poetry reading with David Charleston on Saturday 15th September, 2.00pm at the Poetry Cafe, Costa Coffee, The Arcade. Entry to both events is free, but booking is required.

Tuesday 18th September, 6.45pm: Graham Mort and Andrew Greig will be reading as part of the Wordsworth Trusts Poetry Season 2012. Graham will be reading from his latest collection Cusp , his first since Visibility: New and Selected Poems . St Oswalds Chrch, Grasmere, Cumbria, LA22 9SW. Tickets 8 (7 in advance). Visit www.wordsworth.org.uk for more information

Friday 21st September, 2pm: Bowery Poetry Segue Academic/Language Reading Series celebrating Womens Work: Modern Women Poets Writing in English . Readings from Phillis Levin, Joy Katz, Marilyn Nelson, Eva Salzman. With special guests from Ireland - Siobhan Campbell & Martina Evans. Venue: Bowery Poetry, 308 Bowery (btwn. Bleeker & Houston), NY NY 10012. (F train to 2nd Ave, 6 to Bleeker) Contact: Bob Holman bobholmanpoet@gmail.com

Saturday 22nd September, 2pm: Patrick McGuinness will be reading from his award-winning debut novel The Last Hundred Days at the Throckmorton Literary Festival . For more information call 07592775177

Friday 21st September, 7.30pm: BOOK-ISH presents a Poetry Evening with Paul Henry and Gillian Clarke at the Bear Hotel, Crickhowell. Tickets 5.00 from Bookish or www.book-ish.co.uk

Friday 28th September, 11am: Sculpture unveiling at Cheapside, Bridgend. Two pieces of sculpture by David Annand will be unveiled as part of the regeneration of Bridgend Town Centre. Seren poet Rhian Edwards has been comissioned to write two poems to be engraved on the scupltures.

Thursday 4th October, 7.30pm: First Thursday poetry and fiction readings. Award-winning Seren authors Lloyd Jones See How They Run and Emily Hinshelwood On Becoming a Fish will read at Chapter Arts Centre, Cardiff

Thursday 4th October, 9am until closing: National Poetry Day at John Lewis. Rhian Edwards is Poet in Residence at John Lewis (Cardiff). Rhian will be creating Poetry Takeaways on Bookmarks, Poems over the tannoy and odes to wedding lists.

Saturday 6th October, 7.30pm: Poet Anne Cluysenaar will be reading at Poetry on the Border along side Myra Schneider. The Drill Hall, Lower Church street, Chepstow NP16 5HJ

Poem of the Month

Slugs

Each night the slugs have found a way of getting in.
They slip through cracks, inhabiting corners,
edging up table-legs, walls, or chairs.
With their slug etiquette, slug gestures,
are they silently dreaming of lettuces, hostas?
Do they elegise greenhouses, commune with their dead?
Or fantasize brethren on distant planets?
What mistakes do they make, and how will they tell us?
Do we ask their forgiveness? Do they imagine us saved?
Of their psychobiographies will I ever be sure?

Occipital horns conduct in the darkness.
They know nothing of envy, nothing of blame.
In the gastropod inchings of their midnight seances,
the slow rehearsals of molluscular dance,
theyre themselves absolutely, beyond imitation.
And their silvery cast offs Isadoras
just at the moment in the silvery moonlight
when she sheds her scarves to a million star.

From Deryn Rees-Joness latest collection of poetry Burying the Wren

A Poetry Book Society Recommendation

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( This is not an official press release but rather the personal observations of a Cymuned supporter )
Between Eisteddfod preparations, we are currently working hard on a second edition of the Cymuned magazine, following a very good reception to the first edition last month. Those of you who are not members are able to subscribe or buy individual copies at www.eingwlad.com . If you have articles, letters or any other material that you think may be of interest to our readership, then by all means drop us a line.
Thanks to Omer for telling us about a strange contribution made at one of the All Wales Convention meetings recently. A gentleman apparently explained to the people there that as they had been born in Wales, they were all English anyway. Those attending the meeting seemed to disagree, and the Man with the Strange Ideas left shaking his head and sighing "Oh, what's the point"... It is unbelievable that such an attitude still exists in Britain, (let alone Wales) but it does show how easy it must be for some to move to the country knowing nothing about our Welshness, or even that it exists.Thank you also to Siams who drew our attention to an article in the Sunday Times in which Daisy Waugh trundles out the tired old clichs as she talks of a property in Wales, and asks, ""What's actually wrong with (Wales)? Apart from the unpronounceable road signs, ... the rainfall ...and the slightly irritating devotion to a language only kept alive by government edict and European subsidies ... it's just the same as anywhere else in Britain, isn't it?"But wait, before we complain too much about a columnist who's just trying to get a reaction, consider this: "There's not much we're allowed to snigger at in polite company ... yet somehow fat people and the whole of Wales slipped through the sensitivity net." Ms Waugh does indeed hit on a puzzling truth here, while doing her best to continue the tradition!Lastly, Arfon Jones, a councilor in Wrexham, has asked us to publicise a petition on the Assembly's website to class MPs as public bodies under the Welsh Language Act 1993, following the refusal of Ian Lucas MP to use Welsh in his annual report. Follow this link, though you will have to register or sign in with the assembly system. PETITION HERE Until next month!Iestyn* * * * * * * * * * * * * * * * * *Dewi Sant told us to "Do the little things."To see what he had in mind, have a quick look at: www.cymuned.net/ymlaen/dewisant * * * * * * * * * * * * * * * * * *Are you a dreamer or a doer?Cymuned can't survive without YOUR help.Have a look at: www.cymuned.net/ymlaen/ourfuture to hear how to make things change.* * * * * * * * * * * * * * * * * *
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Welcome to Autumn and to Blodwen's New 'Hafod' and 'Hendre' Rare Breed Textile Collections.

To celebrate the coming of the Autumn season, Blodwen is launching a new blanket and throw Collection woven from the fleeces of local rare breed sheep - Manx, Hebridean, Jacob, Shetland and of course, Welsh Black Mountain.
Woven from undyed, natural wool at our local mill, the blankets come in a palette of soft neutrals - cream, oatmeal, brown, grey and charcoal. To complement the woven textiles, hand-knitted, textured, blankets, throws and cushions have been beautifully crafted by Blodwen's Knitting Circle, using the same yarns.

Sheep have been an integral part of Wales since the Neolithic times and the diversification and preservation of rare breed flocks is a testament to the ingenuity of the Welsh hill-famer across the ages.
The Hafod (Summer Dwelling) and Hendre (Winter Dwelling) Collections are so called to recount the time-old agrarian tradition of moving the sheep from Summer pastures, typically high on the hills, down to the wintering shelter of the valley.

Time to get the blankets out! Cosy-up to Blodwen this Autumn and discover natural, luxurious textiles with pared-down simplicity.
Blodwen - Bringing thecraftman's way of life to your way of living
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When it comes to sport, being a small country, Wales has managed to punch above its own weight over the years. Be it in rugby, athletics, football, boxing, snooker and even rugby league Wales has produced its fair share of heroes. A new book published this week will test how sport loving and how knowledgeable the Welsh public really are. So You Think You Know Welsh Sport? includes questions an all kinds of sports. The book has 50 rounds of 10 questions with the questions getting harder as you get along.

It is safe to say that the author Matthew Jones, a 29 year old chemist from Cardiff is a Welsh sports anorak. He spends his weekends travelling the length and breadth of Wales visiting sporting events and he has already published a quiz book on Welsh rugby. It was due to the success and the enthusiastic feedback to So You think You Know Welsh Rugby? that Y Lolfa decided to commission the new book. Matthew Jones said about his new book,

If you struggle to only get a couple correct then your knowledge is probably equivalent to a drunk dart player however if you manage to get ten out of ten then you are the trivia king of Welsh sport!

The book includes questions like:

Which Middle East country appointed Terry Yorath as their manager in 1995?

Who recorded Glamorgans best ever bowling figures of 7-16 in a one day contest, against Surrey in 1988?

In 1990, whose 27 year Welsh 100 meters record did Colin Jackson break?

Which future rugby union international scrum half was Welsh schools champion in the high jump in 1969 and 1970?

So You Think You Know Welsh Sport? is published by Y Lolfa and will be available in bookshops and on www.ylolfa.com , from Saturday the 8th of June for 3.95.

y lolfa logo

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A retired religious education teacher from Ystradgynlais has released Satans Alternative, a new apocalyptic thriller set in 2012 where mankind is facing elimination. Writing under the pseudonym of James Stevens, this is Steve James second novel after retiring, following his successful debut, The Judas Codex.

Coming from a strict chapel background it was inevitable my views on the Bible would be tinged with bias, but my time spent in the Royal Air Force altered that, said Steve James. Experiencing other faiths at first hand I began to question my beliefs, and that questioning shaped my teaching career. During the mid 1970s I developed lesson plans which were based on comparative religions. Controversial at the time, by the 1980s they had become the norm and compulsory by the 1990s. The words of the author Robert Griffiths, one of my brightest pupils, speaks volumes about my open-minded style of teaching; You prompted us to view the scriptures from a critical rather than devotional perspective.

My interest in writing goes back a long way, explains the author. The idea for my first novel - The Judas Codex - which pre-dates the Da Vinci Code by some thirty years, took root in the 1970s. A busy teaching schedule meant I didn't have time to put pen to paper, which is a shame; by now I might have been a household name. Each of my novels touches on my early experience of the church and the way primitive ideas impacted on it.

Each of Steve James novels has a kernel of truth. Satan's Alternative touches on a problem that is global; set in the year 2012, the present era, it deals with the collapse of the world monetary system. There appears to be only one ending - Armageddon. In the past the onset of two world wars decimated the population and helped create new growth. A third would benefit no one; there would be very few survivors and no economy.

What makes Satan's Alternative unique is that it takes apocalyptic literature to a new level. Faced with social unrest on an unprecedented scale, the world seems doomed, but one man sees things differently. Convinced he is the modern Noah, he bases his solution on the Book of Genesis; the world must be cleansed of sin so that mankind can begin afresh. The author adds, What occurs in the book is possible, perhaps inevitable. As in the first novel I want the readers to say, yes I know its a work of fiction; but what if? Steve James spent his formative years in the Royal Air Force, serving mostly overseas. He is a retired Head of Religious Studies and holds a Bachelor of Education form Cardiff University as well as a Bachelor of Divinity in Theology.

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Ceri Rhys Matthews is producer of the Smithsonian Folkways CD, "Blodeugerdd: Song of the Flowers" , being released at this year's Smithsonian Folklife Festival and which has been described as "a really beautiful concept piece featuring some people who have either never been recorded before, or who were trying out new combinations for the recording."



Ceri Rhys Matthews Americymru: H ow did this project come about? Who participated in it, in what capacity?

Ceri: Betty (Belanus, Smithsonian Folklife Festival curator) and Ceri Jones - who was 'Project Manager for Wales at the Smithsonian 2009' at the time - came to see me at a project I was working on in Dolgellau called Prosiect Ioan Rhagfyr; a twenty five year project which revolves around flute playing and flute making in the Dolgellau area. They asked if I would advise on possible participants for the music programme at the Smithsonian Folk-life festival. I guess they knew they would get 'alternative' suggestions from me. So, I became part of their curatorial team. During this process I became aware that a CD was going to be released on the Smithsonian Folkways label to be released at the Festival, and so I alongside many others put forward a proposal. And I won the tender. My idea was to record a few of the many thousands of musical tales that could be told of and in; around and about Wales. But I wanted these to be the 'unheard' stories - stories by people who do not 'represent' Wales or any faction in Wales, but people who have nurtured and kept alive a musical narrative, quietly - maybe in their kitchens, or with friends in intimate music making moments. They carry the stories that are never heard above the usual hubbub and hullabaloo of celebrity, fame, radio, tv and the mass media.
So, I hired a Tudor gate-house in the Preseli hills, worked out a timetable and asked about twenty musicians or so to come singly, in pairs or trios to come and record a track of their choosing. Anything they were concerned with at the time. The results were astonishing and inspiring, not least because of the interaction between the individuals and the nature of the building and its surroundings. The building itself is after all, a kind of portal. And the music recorded was a key to something that is heard less and less these days; something magic, inspired, at times unearthly, and also very intimate. It's not party music as someone pointed out to me on listening to the recordings. It's not party music in either sense of the word. But it is the music of the people. Or at least, some of them. I could have made three or four CD's and it was an onerous task to leave people out.

I think it's fitting that it is to be released on the Folkways label. A label that always recorded the ordinary people; those without an official voice. But whose collective voices became a vehicle of cultural expression for millions, beyond commercial consideration.

The musicians on the CD are:
1. Mary Hopkin
2. Anne Marie Summers and Helen Wilding
3. Ceri Jones
4. John Morgan, Diarmuid Johnson, and Chris Grooms
5. Linda Griffiths
6. Ceri and Catrin Ashton
7. Daniel Huws
8. Christine Cooper
9. Llio Rhydderch and Tomos Williams
10. Cass Meurig and Nial Cain
11. Jo Cooper and Elin Lloyd
12. Jem Hammond and Tom Scott
13. Max Boyce, Christine Cooper, and Llio Rhydderch
14. Julie Murphy, Sille Ilves, and Martin Leamon

Americymru: How would you describe the final result?

Ceri: On compiling the tracks we realised that the CD had a shape. That the individual narratives contained in the tracks made a larger more encompassing story. We likened it to honeybees returning to a hive and telling their individual tales, but those tales painting a picture of the source of their nutrition - of fields of wild flowers. From these wild flowers we pick a posy. The Song of the flowers, literally; Blodeugerdd in Welsh, Anthology in Greek. Without pinning anything down, a shape may be discerned from the individual narratives and the songs seem to cluster into 'themes', or 'tendencies' which may be characterised thus



1. Remembering

Mary Hopkin sings a song that is imprinted on the cultural DNA of the people, and yet it is a surprise to hear her sing it. Well known internationally for her popular song, this is where she started, in her and our youth.

Anne Marie Summers and Helen Wilding Smith live on the porous border between modern England and Wales. Both have strong Welsh family and childhood connections. Being outside, they remember a cultural inheritance, and give a forgotten dance form, the estampie, back to the giver of that inheritance.

Ceri Jones was born and raised in Canada but this summer came to visit his grandmother in Llangrannog for the first time. He remembers his inheritance in a different way.

A reverie between John Morgan, Diarmuid Johnson and Chris Grooms. From the quiet and abstract opening notes, the musicians conversation is like the dawn, from which we can read the signs of the day to come. Here are elements of the memory, magic, song tunes, instrumental music and emotion which will unfold thought the rest of the anthology.

Linda Griffiths remembers how a lover hurt her.

Ceri and Catrin Ashton moved away from Conwy to Sheffield. The dance tunes they play, they played as young girls at home.

2. Describing magic

Daniel Huws sings of the mystical nature of the nativity, in a plygain carol from Anglesey that has been unsung for some generations.

Christine Cooper sends a bird as a love messenger, or llatai, from a winter-like desolate, treeless place without love, to a lover. Wait, the lover says, wait until May.

Llio Rhydderch and Tomos Williams improvise on a forgotten tune. They explore the tune like dancers, with two of the instruments of the forest.

Cass Meurig and Nial Cain engage in a mystical dialogue with the cuckoo about the nature of time, a story Cass sings to her children, and then brings us into the world of dance.

3. Dance and celebration

Jo and Elin play triple time hornpipes from the border, as Jo prepares to make a new life abroad.

Jem and Tom have some light hearted fun with flutes.

4. Emotion and the fabric of life

Max Boyce, with Christine and Llio, explores the fabric of sentiment and emotion, and ask the question; what is loss?

Julie, Martin and Sille compare the different emotions men and women feel in love.

These small individual narratives are the grains of sand in which the whole of the land may be seen, with its towns, mountains and beaches; its rivers, rocks and stones; its lovers, friends, families and homes. Taken together, these songs make a snapshot of a hive of activity. The story of a posy of wildflowers.

Americymru: What is planned for its release and where will it be available?

Ceri: The CD will be on general release coinciding with the folk-life festival. There will be a launch concert during which six of the musicians who appear on the CD will take part. I don't know that all dates and times are finalised yet. The musicians appearing in Washington will be Ceri Ashton, Catrin Ashton, Linda Griffiths, Christine Cooper, Sille Ilves and Martin Leamon

Americymru: Will you be appearing at the Folk-life Festival?

Ceri: Yes, I'm pleased to say I'll be performing mainly in a duo with Christine Cooper. But also, and this is very exciting, different combinations of musicians are encouraged to collaborate with each other throughout the festival, so expect some exciting combinations. Last night, a group of seven of us got together that will be playing for a twmpath one evening. Musicians are getting together with storytellers, poets etc. in all sorts of great combinations. But I'm really looking forward to getting a chance to play some really straightforward beautiful flute and fiddle tunes with Christine.

Americymru: How did you come to be a musician, what lead you to music? What instruments do you/have you played and what was your musical education?

Ceri: Well, I don't know that I am a musician. At least I was always told by my teachers in school that I wasn't one, so I've never really believed that I am, or counted myself as one. I suppose I play music. And I love music. And I love listening to it - I love listening to other musicians, and so I suppose that's how I started. There was no-one playing the music I wanted to hear- so I had to play it myself. I met a man called Jonathan Shorland who had made a pibgorn and some pipes and he showed me how to get started... And so I did. I played pipes and things. Then when we started fernhill, the group I play with, we needed guitar sounds, so I had to do that, learn to play the guitar. Then wanted to play the flute - more than anything else, really (except singing) and so I learned to play the flute, and make the sounds I wanted to hear and the tunes I wanted to hear.

Americymru: You've recorded and performed both solo and as part of an ensemble, you formed fernhill and collaborated with Christine Cooper, including on your 2005 solo CD, 'yscolan' . What has been the path of your career as a musician and where do you intend it to go?

Ceri: Ha! career!! To career is to lurch about, out of control isn't it? If I have a career it's not a normal trajectory I'd have to say. I don't know. I went to Art School where I learned that everyone is an artist. This really fitted in with my idea of what folk music is about. And so my career is to get as good at playing tunes as I can - as often as I can. So I don't have a job or anything - and I don't earn enough money, but I think I'm getting better at playing music. And sometimes people ask you to play for them, and that's brilliant. And every so often like a painter has to make a painting, a musician has to make a record, and so if we can we do. I've been really lucky in that my music has found patronage with some inspired people. Wyn and Richard Jones at Fflach records and Tim Healy at Beautiful Jo records. They are truly enablers, and friends of musicians. Geniuses in their way and kind and generous souls. Where do I intend it to go? To play as much music with Christine and fernhill and all my friends as well as new people I meet, as is humanly possible.

Americymru: What performances are you most proud of in your career?

Ceri: Well, performance and the sort of narrative music that I'm engaged in don't really sit comfortably. I'd have to say that when the listener and the player connect, then something special happens. It often happens between musicians and that's magic and what keeps you going. When it happens between the listener and the player, it's like you're dancing with each other. That's happened a few times. It's quite rare and special and happens in unexpected places often. Bessie's in Cwm Gwaun has had many special moments. And my time piping in Libya with Berber musicians was special. But piping along the via Dolorosa in Jerusalem to al-Quds university with thousands of Palestinians roaring and dancing still makes the hairs on the back of my neck rise.

Americymru: What would you most like to achieve as a musician?

Ceri: To attain the freedom I hear in musicians who can hear things which seem unreachable to me. People like John Coltrane or Micho Russell. And singers, like say, Bjork or like Mary Hopkin, or Tymon Dogg or Otis Redding - They all make me cry. I'd also like to earn my place in the anonymous pantheon if that's not an oxymoron.

Americymru: What's next for you and where can people see you play and find your music?

Ceri: Well, the folk-life festival comes up soon. Then there's my regular teaching at Dolgellau, and at Canolfan William Mathias in Caernarfon. I run a music retreat in Pembrokeshire three times a year for all types and abilities of musicians - but musicians who want to get closer to the essence of their own musical voice - the next one's coming up in August. Gigs around Wales with Christine and some exciting fernhill dates on the horizon too. We need to record some sounds too, but it's harder and harder to do so these days what with the ugly commerciality that chokes everything. Still, if we can raise some money we will. So that's a big thing that needs doing soon.


More info about Ceri Rhys Matthews and fernhill:-
www.yscolan.info/
http://yscolan.blogspot.com/
www.youtube.com/user/yscolan
www.myspace.com/ceriandchristine www.fernhill.info/
www.myspace.com/fernhillmusic
http://www.fflach.co.uk/
http://www.bejo.co.uk/


More info about the Smithsonian Folklife Festival 2009 here:-
Smithsonian Folklife Festival
Americymru Events Page

Interview by Ceri Shaw Email

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BUY 'FLIRTING AT THE FUNERAL' HERE

Praise for Chris Keil's third novel

"Flirting At The Funeral is a sophisticated, deeply mature work, shot through with oodles of lovely writing and shored up by many insights and ideas....." Jon Gower

"Keil's writing, which is limpid and arrestingly vivid, has a charged quality that conveys the mysteries pulsing behind the everyday surface of things." Nicholas Clee, The Guardian

Read our 2008 interview with Chris HERE

Full review of 'Flirting At The Funeral' coming shortly on AmeriCymru.

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